Born in the culturally confused island of Cyprus, he was intrigued by the threads they weave its complex and colorful mosaic. From a young age he committed in participating in the social and political movements of the time, documenting the experience in both written and visual means.

This engagement led him to Greece, where he studied at Panteion University and discovered his passion for Social Theory and Anthropology—fields that deepened his interest in cultural conflict and grassroots movements. His academic work was first materialized in the interdisciplinary thesis Cyborg Hackers Against the Spectacle: Critical Approaches Towards the Age of Technological Integration.

In parallel, he organized public discussions, screenings, and cultural events addressing a wide range of social and political phenomena—from social exclusion, ethnic conflict, and counter-culture to the rise of the digital age and the fragmented subjectivities it produces.

Having the camera as a constant companion, he eventually entered the film industry, working as a festival coordinator and participating in both fiction films and ethnographic documentaries as a director, cinematographer, editor, and production assistant.

He recently merged his passion for the Social Sciences and Cinema through a Master’s in Visual Anthropology at the University of Amsterdam, which culminated in the thesis and film Black Boxes Shining Light: A Possible Story of Artificial Intelligence.